Posts Tagged ‘Junge’

A different perspective…The National, Adnan Khan.

May 12th, 2012

The real miracle workers fighting, and healing, Pakistan’s acid attacks

Adnan Khan

Apr 21, 2012

While Saving Face, a documentary on doctors helping Pakistan’s acid attack victims, recently won an Oscar, Adnan Khan discovers a much better story, featuring legitimate heroes who, unlauded, work every day to enable the afflicted to return to society with confidence

It’s odd how the faint sound of sobbing rising up from the crumpled blanket seems to dominate the room. Considering the laughter that is otherwise the mainstay of the women living at the Acid Survivors Foundation (ASF), the tears feel out of place. Rukhsana, knitting a blanket for her newborn son; Nusrat Parveen, busy on the sewing machine; Mumtaz and her 7-year old son, Mozam, giggling over a game they have just invented – these should set the tone in their communal living space.

But it’s Naziran Bibi’s tears that overwhelm all else. “Please, sister,” Nusrat says to her suffering friend. “It will get better. You must be patient.”

The women at ASF are accustomed to this sort of thing. They’ve all been through it themselves: the shock of having their faces melted by acid, the hopelessness that comes from having to then face themselves in the mirror. It is often too much to bear. Naziran is, in this sense, perhaps luckier than some – her attacker managed to blind her completely. But it’s also in that darkness where she now finds herself that her loneliness is absolute.

This is perhaps the most difficult struggle victims of acid attacks face. In a single, cruel stroke, they are transformed into outcasts, their lives relegated to the margins, condemned to a perpetually cloistered existence, shunned by the people around them. It was this same loneliness that ultimately drove Fakhra Younus, a Pakistani acid attack survivor in Italy, to take her own life on March 17.

Her neighbour, Haji Ali Din, reportedly told the Italian media that he had seen Younus an hour before she jumped from her sixth-storey apartment. She was crying, he said, but he dismissed it as a “daily occurrence”.

The pain behind those tears cannot be trivialised simply because of their regularity. Quite the opposite, in fact: that Younus still cried every day after more than a decade (her attack happened in 2000) is a testament to the depth of her suffering. It was the kind of pain that required solace, and the kind of solace that only the company of those who understood her plight could bring.

In Pakistan, there is no shortage of women who are suffering the way Younus did. Their struggles were broadcast to millions around the world after the short documentary Saving Face was awarded an Oscar on February 26. The co-directors of that film, Sharmeen Obaid-Chinoy and Daniel Junge, along with the film’s main character, Dr Mohammad Jawad, became instant media darlings, credited with lifting the veil from one of Pakistan’s most gruesome realities.

But Younus’s death did something else that hasn’t been reported in the world’s media: it drove home the point that acid survivors require more than medical treatment to ensure their well-being; modern medicine can do only so much to make them whole again. More importantly, it’s the psychological damage they have experienced that will be their true lifelong burden.

In the years since Younus’s attack, much has changed in Pakistan to help ease the pain of acid survivors. Saving Face was a timely story insofar as it highlighted some of the work being done to help these women. It was also a heavily dramatised and misleading story, however, relying on old and tired clichés to draw in a western audience.

To read the rest of the article, click the following link…

News, Momentum For Gender Justice Through An Oscar

February 28th, 2012

Last updated: 37 mins ago

The women behind the Oscar

Sharmeen Obaid-Chinoy, left, and Daniel Junge pose with their awards for best documentary short for “Saving Face” during the 84th Academy Awards on Sunday, Feb. 26, 2012, in the Hollywood section of Los Angeles. – AP Photo

KARACHI: Behind the glamour of Pakistan on the Academy Awards red carpet and the outpouring of excitement on television, Twitter and Facebook lies the bravery of the female subjects of Saving Face, who have to keep a low profile for their own security.

“Rukhsana says that if she has to bear the consequences [of the film], so be it,” says Bilquis, a staff member at the Acid Survivors Foundation in Islamabad, where the acid attack victims featured in co-director Sharmeen Obaid-Chinoy’s Oscar-winning documentary had sought refuge.

Both Rukhsana and Zakia, the two women attacked by their husbands who played central roles in the film along with plastic surgeon Dr Mohammad Jawad, denied requests to speak to the media for fear of further victimisation. Contrary to some news reports, their spouses were never prosecuted for this crime.

According to Bilquis, who has been deeply involved in the two cases, Zakia’s husband threw acid on her outside a court house during divorce proceedings while he was in police custody for other domestic violence, indicating possible support from law-enforcement. For both women, participation has been an act of extreme courage.

Zakia’s family knows about her role in the documentary but isn’t pleased about it, and her brothers insisted she leave the ASF. Rukhsana is living with her husband again after a still-troubled reconciliation, and he is not aware of her participation in the film.

But Bilquis communicates Rukhsana’s jubilant reaction to the Oscar win, the first Academy Award won by a Pakistani. “When she participated in this film she thought it would mainly be shown abroad. But even though it has now become big news and might be shown here, she is still thrilled about it. She says it was a form of justice, and now other sisters will get justice too.”

Sunday’s win in the short documentary category for the 40-minute Saving Face, co-directed by American filmmaker Daniel Junge, has come as unbelievable news for the staff of the ASF, which was featured in the documentary, and the acid attack victims it tries to help through free housing, surgery, and legal aid.

“It’s difficult to believe,” says ASF chairperson Valerie Khan, barely able to contain her excitement on the phone from Islamabad. “It’s so big that I haven’t realised it yet. It’s a symbolic achievement: a woman who has fought for women’s rights. And it concentrates on hope, celebrating Pakistani citizens building a fairer society for tomorrow.”

But both her and women’s rights activist Fauzia Saeed point out that more progress still needs to be made, despite the passage in December of an amendment to the Criminal Procedure Code that criminalises acid attacks.

They explain that two further pieces of legislation are in the works, being pushed by the ASF, civil society organisations and the human rights ministry. The Acid Control Bill would regulate the sale and distribution of acid. And while acid throwing has already been criminalised, the third piece of legislation, the Acid and Burn Crimes Bill, goes beyond punishing perpetrators and calls for a number of other reforms needed to prevent attacks and help victims rebuild their lives. These include rehabilitation services, measures to ensure independent investigations and just trials, funding for victims, and a monitoring system.

Meanwhile, the focus on Monday was on celebration, and not just at the ASF. “It’s been completely incredible,” Ms Obaid-Chinoy’s mother said in an interview with Dawn about her 33-year-old daughter’s achievement. “It’s absolutely amazing, a dream come true. Even though she won an Emmy last year, winning an Oscar — I don’t think we saw that coming at such a young age.”

And the film’s director of photography, Asad Faruqi, told Dawn that the win had justified why he does what he does. “This is the only reason we make documentary films: to highlight the issues and get people’s stories out. When it’s recognised, it gives us the motivation to venture into areas where we didn’t think we could go.”

“We are happy and proud on several levels,” Ms Saeed added. “The award was won by a woman, it is a Pakistani film, and this is an important issue. I hope it will create the impetus for the comprehensive legislation that is badly needed.”

Meanwhile, Ms Khan points to the crucial role that Rukhsana and Zakia have played. “They were instrumental to getting the criminalisation bill passed, because they were willing to speak up,” she says. “They were doing so before the film, and Saving Face has highlighted their work further. They are true agents of change.”

Cooperation Between ASF-Pakistan, ASTI And UN WOMEN…

February 28th, 2012

Pakistan’s First Oscar Win Explores Efforts to End Acid Violence in Pakistan

This year’s Best Short Documentary category at the Academy Awards has honoured a film from Pakistan about acid violence. Saving Face by directors Sharmeen Obaid Chinoy and Daniel Junge, follows the work of a British-Pakistani surgeon with the Acid Survivor Foundation (ASF), to provide free surgical services and support to victims of acid attacks.  It also explores the holistic ways in which ASF-Pakistan has been working to empower Pakistani women and eradicate acid violence with the support of UN Women, among other partners and donors.

In addition to its rehabilitation services, ASF-Pakistan lobbies for acid and burn legislation. The organization was actively involved in consultations, facilitated by a number of international partners, including UN Women, in the drafting of three laws on the issue. The first of these was unanimously passed and enacted in December 2011, and acid-throwing is now a crime against the state, punishable with a fine of one million rupees and a sentence from 14-years to life imprisonment.

Ending violence against women is one of the global priority areas of UN Women and the UN System, and the organization has long supported efforts towards eradicating it, which includes acid violence. In Cambodia, for example, work by Acid Survivors Trust Internationala grantee of the UN Trust Fund to End Violence against Women – supports local organizations that work with burn survivors, and also lobbies for legislation and implementation at national and international levels.

The Oscar win for Sharmeen Obaid Chinoy and her team, provides a dynamic platform and boost to the on-going national efforts  to have the Acid and Burn Crime Bill 2012 passed and implemented in Pakistan’s Provincial assemblies.

Saving Face Wins Oscar!!! Well Done Pakistani Women!

February 27th, 2012

Pakistani journalist and documentarian Sharmeen Obaid-Chinoy’s latest venture Saving Face has won an Oscar award under the category ‘Best Documentary, Short Subject’.

In her acceptance speech, Chinoy dedicated the award to “all the heroes working on the ground in Pakistan” including British Pakistani plastic surgeon Dr Mohammad Jawad, main subjects of the documentary and the women of Pakistan.

“All the women in Pakistan working for change, don’t give up on your dreams, this is for you,” she said.

Dedicating the award to main subjects Rukhsana and Zakia, Obaid-Chinoy said that their “resilience and bravery in the face of such adversary is admirable”.

Co-director Daniel Junge said he had the idea for the film after hearing about Jawad, and asked Chinoy to work with him. He has been previously nominated for an both an Oscar and an Emmy.

“To win … and with such a – it’s such an honour,” he said.

The documentary Saving Face chronicles the work of Dr Jawad, who performed reconstructive surgery on survivors of acid attacks in Pakistan.

The documentary, which is filmed across Islamabad, Rawalpindi and the small towns of Punjab, was released in the US in November. It is due to release in the UK in March 2012, following which it will be released in Pakistan.

“The women who decided to be a part of the documentary did so because they wanted to make their voices heard and wanted to bring attention to this form of assault,” Chinoy said in an interview conducted before she won the Oscar.

“The main reason that they are in Saving Face is to make their stories heard and have an impact.” Many victims are women attacked by their husbands, and others assaulted for turning down a proposal of marriage. One girl in the documentary describes how she was burned after rejecting the advances of her teacher. She was 13 at the time.

Another woman featured in the film is 25-year-old Rukhsana, whose husband threw acid on her and her sister-in-law doused her in gasoline before her mother-in-law lit a match and set her on fire.

Chinoy said she hopes the cases in her film will resonate for others in Pakistan.

“It is a story of hope with a powerful message for the Pakistani audience. I felt this would be a great way to show how Pakistanis can help other Pakistanis overcome their problems,” she said.

Chinoy’s films have won international acclaim. Her 2010 documentary, Pakistan’s Taliban Generation, won an International Emmy Award.

At the ceremony, Obaid-Chinoy chose to wear female designers, from her clothes and her jewellery.

“I am wearing Bunto Kazmi for the ceremony and will be wearing Sana Safinaz and Saniya Maskatiya for Oscar-related events. My jewellery will be done by Kiran Aman of Kiran Fine Jewellery and Sherezad Rahimtoola of Labels. I am really excited to showcase local Pakistani talent, and that too all women,” revealed Chinoy.


A Link With All Details Regarding Saving Face And The Outreach Program…

February 26th, 2012